As the year draws to a close, the opening of the Pervasive Media Studio is featured in Design Week's Revie
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Last week Pervasive Media Studio Producer Dr Constance Fleuriot held a meeting to discuss the ethical issues of Pervasive Media. Working on public engagement and academic projects, Dr Fleuriot has worked extensively with young people in a variety of settings over the past few years and is aware of the child-protection implications surrounding research work.
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I am just beginning to get started with looking at ethical issues around the sort of work we all do, to try and alleviate some of the niggling feeling I get w
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Do you or your organisation have a question about how to use digital communication technologies that you would like a room full of experts to workshop for free?
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The studio is missing a few residents this week as they have been whisked off to Belfast to both attend and mentor workshops at mscapeFest08.
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Bringing together leading technology, artistic and media talent, Media Sandbox is a commissioning scheme to support South West companies / organisations to research emerging possibilities in digital media. Last year's theme was pervasive media and space in the studio was taken up by four of the six participants.
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Last Will and Testament, an experimental installation by Punchdrunk, Hide and Seek, HP Labs and Seeper, was featured in The Independent today. A development of the ideas explored in Sensory Symptom (which is installed in the studio), Last Will attempts to create a "hybrid experience between real and computer-generated worlds".
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In todays edition of the New Media Age Magazine both Media Sandbox and also Happy Packages were featured in an article by Sean Hargrave on Location Services.
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Smudge is an exciting Bristol-based magazine produced by and for young people. It explores art and culture in the city and beyond.
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Duncan Speakman has been working on a series of limited editions video frames. Designed as self-contained units of looping video, the first example is available to see in the studio reception. The piece is a collaboration between Duncan Speakman and choreographer Christine Lockhart and offers a simple study of physical struggle,
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